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Field Notes

About Field Notes

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No environmental professional succeeds without the force of the written word. Among conservationists and biologists, writing is a tool no less essential than a map or a hand lens or a great idea. In our program, we write site assessments and academic reflections, professional reports and news releases, magazine and journal articles, blog posts and web pages. We write to educate, entertain, motivate, or inspire. Every year we present insights from life and work outdoors in Field Notes 鈥 the proceedings of the Field Naturalist Program. In creating the magazine, students learn the essentials of publishing and public communications. Featured in these essays and news items might be intimate encounters with birds in the Maine woods or with orchids in Costa Rica, a report on beavers changing a stream course in Burlington or on smart phones changing how we experience nature. Produced entirely by students, Field Notes includes rich illustrations, vivid photographs, updates on student projects, and other breaking news from our program. It is required reading for alumni, prospective students, and anyone who wants to learn more about the natural world we share.

Painting of the mountains
Painting by Claire Dacey '03 (Cohort S3)
Editor's Note
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We Amanita muscarias like to consider all possible options. We find it hard to land on one answer. So much so that in the final hours before winter break, with the fire crackling and snow falling at Zero Gravity, we had yet to pick our name. It was time to make a decision. As the 39th cohort of the Field Naturalist Program, alphabetically we were known as the AMs. It is tradition for each cohort to select a mascot with the same initials as its Latin name. We had been circling for a while, weighing pros and cons and penciling in more possibilities even as we told ourselves and others that we were narrowing it down. Though the stunning spotted red mushroom won, the rigidity of a single answer didn鈥檛 sit right with us. We hated to rule out the equally enticing spotted salamander (Ambystoma maculatum) or spotted sandpiper (Actitis macularius), so we named ourselves the Spotties. Like all good naturalists, we seek out circuitous routes. After all, we had spent the fall wandering talus woodlands and beaver wetlands, discovering a joy in asking every stump, dead end, and gall: Is there another question here? Is there a different interpretation?

We鈥檙e not particularly interested in a single answer鈥攆inding one seems less interesting than finding more questions. Perhaps more than just acquiring knowledge, the role of a naturalist is to seek understanding. And so, we ask: What can come when we put aside our first impressions and look more deeply? We鈥檇 like you to explore an abundance of options with us in this edition of Field Notes.

In the following pages, we share questions that continue to poke us鈥攚eighing a rare buckwheat against lithium mining, and reflecting on our relationship with invasive species. We guide you through what sunrise means to a plant and several ways we can observe succession. We search for the legendary creatures with whom we share the valley and mountains, and consider communication beyond our own species. We invite you to join us in not always deciding and instead to celebrate the space before or beyond an answer. We feel this is a place where more meaningful questions come from.

Thanks for being here with us.

Catherine Wessel (Cohort AM '24)

People looking over fallen trees
Cohort AM '24 perched in their natural habitat. (L to R: Lee Toomey, Catherine Wessel, Will Durkin, Evan Horne, Michelle Giles, Dave Moroney)
Director's Note by Walter Polman
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Variety

Published September, 2024

When I first embarked on my learning journey as a Field Naturalist three decades ago, my eyes were opened to an approach for making sense of the world that exists at the intersection of two scales: spatial and temporal. The places we explored as members of the K Team offered endless opportunities to investigate spatial patterns at the landscape scale, while simultaneously contemplating the past, present, and potential futures of those places as parts of a dynamic timeline. I was also immediately drawn to the cyclical timelines of phenology, the lens through which we studied how life responds to the unfolding of the seasons (and the shifts in climate) in a given location.

In my present role as director, I鈥檝e expanded my focus on this intersection of time and geography to include the Field Naturalist Program itself. One of my favorite moments in the phenology of the FN world occurs when a new cohort assembles for the first time in late summer on the shore of Lake Champlain for orientation at Shelburne Farms. It marks the beginning of a two-year odyssey in integrated field science and communication, 鈥 hallmarks of FN training for 40 years 鈥 with the local landscape serving as the primary classroom.

The FN Program could theoretically take place almost anywhere, but it has flourished here in Vermont. Why? It鈥檚 at the right scale. A relatively small state with a diverse geography, where nature and culture intertwine and unfold through time in fascinating ways, sets the stage for immersive opportunities to study the diversity of life and its conservation. It鈥檚 at a scale where environmental policy makers and government agencies (increasingly staffed by our program alumni) are accessible and responsive to the needs of communities and the interests of students. All of this combines to make Vermont an incubator for innovation, especially when it comes to restoring ecological integrity.

As we celebrate our 40th year as a program, our growing network of engaged alumni is truly our greatest asset for attracting a diversity of talented students from across the country, training them while they鈥檙e here with us in Vermont, and launching them back into the world equipped with the knowledge, skills, and leadership capacity to serve on the front lines of the biodiversity crisis for many years to come.


Water Poleman.

About the Author

Walter Poleman (Cohort K, '95), is the program director and teaches Landscape
Inventory & Assessent. He is the founding director of the PLACE Program and
co-coordinator of the Greater Burlington Sustainability Education Network. He
is also a faculty member in 日韩无码鈥檚 Rubenstein School of Environment & Natural
Resources and teaches ecology to lawyers-in-training each summer at Vermont
Law & Graduate School.

 

 

Time Scales by Keith Meldahl
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illustration of something abstract with white ink on black background

Images by Jacki McInnes

Published September, 2024

Time is nature鈥檚 way of keeping everything from happening at once.
鈥 John Wheeler

At a certain moment in year 2025, I will be 63 years, 153 days, 3 hours, 34 minutes, and 36 seconds old. I plan to celebrate with a bottle of champagne, while my wife rolls her eyes, because at that moment I will have lived exactly two billion seconds. If I鈥檓 very lucky, I might live past three billion seconds, not long after my 95th birthday. How about 4560 million seconds? It鈥檚 not likely anyone will ever live that long; it鈥檚 more than 144 years. I think we can agree: 4560 million is an overwhelmingly large number. The Earth is that old, in years.

Science gives us measurements for the Earth鈥檚 age, but not easy comprehension. For that we have analogies. An eight-inch-thick stack of standard printer paper is about 2,000 sheets. If the top sheet represents this year, then Jesus of Nazareth was in his mid-20s eight inches ago. Five thousand sheets ago, the oldest pyramids had not yet risen from Egypt鈥檚 sands. A 48-inch-thick stack will take us back to our Neolithic ancestors planting seeds at the dawn of agriculture. And that pretty much covers all of human history; it鈥檚 four feet high. 

Flip the paper stack onto its side and add enough paper to get to 66 million sheets. You鈥檒l have to send it out the door, down the street, and maybe into the next town. Our paper stack, lying on its side, is now 4.2 miles long. Stand at the far end, 66 million years ago, and watch as an asteroid plummets from the sky to doom Tyrannosaurus rex and his dinosaur brethren. Add 21 more miles. There, 400 million years ago, watch your lobe-finned fish ancestors take awkward steps onto land, breathing Devonian air with primitive lungs. We鈥檙e still less than one-tenth of the way to the birth of the planet. 4.56 billion (4,560 million) sheets will stretch our paper stack 288 miles, about the distance from Burlington to Buffalo. One inch of that is American history.

Evolution and plate tectonics are the guiding theories of biology and geology, respectively.  Neither generates much drama over human time spans. But over geologic time, they both produce stunning changes. Here are a couple of examples.

The Ancestor's Tale

When was the first human? The first bird? First fish? As Richard Dawkins points out, such questions, although arising naturally from our curiosity, miss the vital role of geologic time in evolutionary change. Tiny changes, generation to generation, accumulating over the immensity of time, can create spectacular transformations. Evolution has gone from a long-ago bacterium to you, all without ever producing a 鈥渇irst鈥 of anything. 

To visualize this, try the following thought experiment (adapted from Dawkins). Put a photo of yourself at one end of a very long bookshelf.  Next to it, put a photo of your mother. Next to that, your grandmother, then your great-grandmother, and so on, back through the generations.  (Male ancestors will do just as well.) Soon you鈥檒l go back past photography, but never mind, imagine pictures of your ancestors, in an immensely long row, going back many thousands of generations. Wander back in time along the row. Back past 100 thousand years ago, your ancestors, although increasingly different from you, are all still clearly Homo sapiens. How about one million years ago? Now your ancestors, though recognizably humanoid, look quite different from you, with flatter skulls and prominent brow ridges. We classify them as a different species, Homo erectus. But all along the chain of your ancestors, each one was indisputably the same species as its parents, and its children. There never was a 鈥渇irst鈥 Homo sapiens

Keep traveling along the bookshelf of your ancestors. What did your ancestor 10 million years ago look like? An ape. Your ancestor 100 million years ago? A shrew-like creature hiding in the shadow of dinosaurs. And 400 million years ago? A fish with limb-like fins. One billion years ago? An amoeba-like eukaryotic cell floating in ocean water. Two billion years ago? A bacterium. At no point along the line was there a 鈥渇irst鈥 of anything. Every one of your ancestors, in every generation, belonged to the same species as its immediate predecessor and descendant. Yet every generation also accumulated tiny changes 鈥 particularly ones that favored survival and reproduction. The result: dramatic evolution, thanks to the generous scope of geologic time. 

DANCING CONTINENTS

To us, continents appear to stay put. Viewed over geologic time, they drift like loose barges across the Earth. The North Atlantic is just five feet wider now than when the Rolling Stones first sang 鈥淪atisfaction鈥 鈥 but, as with evolution, tiny changes, accruing over vast spans, produce stunning results. 

Imagine a continent traveling a mere one inch per year (slower than your fingernails grow), about equal to the separation rate of North America and Eurasia across the North Atlantic. In 10 million years, that continent will travel 160 miles. In 500 million years, nearly one-third of the way around the Earth. The earliest continents formed more than three billion years ago. At one inch per year, that adds up to two complete trips around the Earth. 

Watching animations of the wandering continents on YouTube is a bit like watching kids driving bumper cars at the carnival: the motions seem equally random and chaotic. But there is a pattern. Over time, the continents cluster into great masses called supercontinents, then tear apart, then gather again in new configurations. The pattern is roughly cyclic, like a grand minuet: together, apart, together, apart. As far as we can tell (it becomes harder to reconstruct continental positions further back in time), perhaps six supercontinents have formed and split up over the past three billion years. The most recent, called Pangaea, began breaking up 250 million years ago (nearly 16 miles of paper) as the Atlantic Ocean opened. Some 300 million years from now (about 19 miles of paper), as the Pacific Ocean closes and the two Americas crunch into east Asia and Australia, the next supercontinent will be born.


fossils

About the Author

Keith Meldahl is a retired professor of geology from Mira Costa College near San Diego and the author of several popular books about the geology of the Western U.S.

 

Flyaways by Hayley Kolding
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Artwork by Carolyn Loeb

Published September, 2024

blackbird
 

I lived a good life
and was reborn a sparrow.
Towhee-like
I scratched meals
on the ground
with both feet
but mostly I flew,
threading a needle
through dense thickets,
wheeling in legions
above power lines. 
My breast was streaked
white and brown,
my bones
an invention of light.
Crossing low alone
in clearings I felt
I soared:
then a pane of glass
in what had seemed
a clearing.
So the reality
I meant only to pass through
contracted
to an instant
and killed me.

 

God had mercy
and remade me as
a blackbird.
In the marsh
it was sweet:
I built my nest,
wove a wet cup
about the cattails.
The walls
were bur-reed and rush
the bed inside
grass dry and soft. And oh
I loved the brood
with eyes tight shut.
For my baby
seed of the field,
damselflies
for my baby. But you
do not grow fat 鈥
I paired again,
my mate distinguished
by song:
a choking,
scraping noise
made with much
apparent effort.

 


Expiring
without legacy
I begged to still
be winged  An ivory
gull   A plover
A thrush  
And mercy
was endless
As a guillemot
I returned
starving slick
in my own color
as murre in
Alaska    I starved   
as one penguin 
of 40,000   
Then God blessed me
at last     I was a sea bird
in Australia   I floated
in the water
I ate everything
the world gave me  
And then I was full   
O Heaven   Then
I realized my need
could not be me


Hayley Kolding

About the Author

Hayley Kolding (Cohort AL) explores, conserves and restores riverlands as Vermont River Conservancy's Southern Vermont Conservation Manager.

 

 

Ice Age in a Day by Jason Mazurowski
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Mountains in the winter

Published September, 2024

Every glaciation starts with a snowflake 鈥 a spindly, ephemeral thing that by itself merely melts on a mitten. But given the proper conditions, that crystalline masterpiece will be compressed and transformed, merging with trillions of others to move mountains, carve valleys, and shape continents through a winter that spans millennia. Its original shape unrecognizable, that snowflake will remain locked away for an epoch before being released in a torrent back to a landscape that has forever changed. 

In our little notch, nestled at the foot of the northern Green Mountains, winter feels like a miniature ice age. Snow arrives early, piles up deep, and lingers late into spring 鈥 advancing and retreating on a scale of months rather than centuries. To the north of our cabin, the Woodbury Range rises abruptly, looming 800 feet above the valley bottom. To the south, a steep, undulating ridge shrouds us in darkness through most of the winter months. Mountain air sinks and pools in these cold, dark hollows, where frozen creeks, fens, and ponds meander through spruce-fir forests.

For the few full-time residents here, winter is serious business, and preparations for next year begin almost as soon as the snow recedes. During our first full year off grid, my partner and I have become increasingly in tune with the local phenology as it governs day-to-day life. In late March, while spring is well underway at lower elevations, we鈥檙e just reaching peak snowpack. On the 2023 vernal equinox, our stake reads 40 inches 鈥 the 鈥済lacial maximum鈥 for that year. During these waning days of winter, we glide through the woods on skis, unencumbered by downed trees or boulders, the understory buried beneath us.

At the end of the last glaciation, a river rushed through this valley, cascading from dying ice sheets and emptying into a lake that covered much of Vermont. For a brief period each spring, that river returns as meltwater, resurrecting waterfalls and breaching beaver dams.
What follows is a brief, riotous interlude of warmth: four frost-free months of sounds and smells and colors. Life springs from every crack and crevice. It seems impossible that within just a few short months the silence and stillness of winter will return.

But by late October, as the larches turn gold, the sun does not crest the ridge until 9:30 a.m., and the long, cold dark is approaching. On a frosty morning, we move our seasoned wood into the shed, each log coming to rest with a satisfying clink that echoes off the cliffs. A snowflake lands on my jacket, and I stop and grin, admiring its fragility for a moment before it melts. These first stray flakes of the season are a special thing, although they may amount to only a dusting and melt in a matter of hours 鈥 not even long enough to bend the goldenrod stems.

Still, it鈥檚 enough to ignite my excitement for the season to come, and I wake the next morning thinking boreal thoughts. I head for the nearest mountaintop, ascending the steep, winding trail up through the spruces where the snow still clings to bent boughs, getting deeper the higher I climb. Above tree line the world is in grayscale, every surface coated in rime ice. I settle down with a thermos of tea in the foggy, krummholz dreamscape.

I imagine sitting on this mountaintop for 300,000 years watching the glaciers advance, witnessing the first dusting of snow collecting in the cirques and valleys, burying boulders, blanketing the slopes. A series of wet winters and cool summers would prevent the snow from melting entirely. Relict snowbanks would remain year-round as icy slush called firn. More snowy winters would continue to pile on, and the snowpack becomes more resilient with each new storm. As decades pass, firn would be compressed into ice, shifting and groaning under its own weight 鈥 a viscous fluid scouring the mountainsides. Centuries pass and it merges with other mountain glaciers to engulf the continent, advancing all around my mountain perch.

As I descend, I imagine the glaciers retreating 鈥 an ice age coming to an end. I hop from rock to rock across the felsenmeer barrens, traveling forward in geologic time as I go. I watch the snow and ice melt as lichens eat away at the boulders, forming pockets of soil in the talus slopes. Bryophytes take hold, and arctic plants poke up through the snow. The first trees emerge: crooked, stunted krummholz exposed to the wind and ice, confined to thin soils. The footing is a little easier now, the trail a little less steep, and I begin to run.

I speed through the montane forest, hurtling through deep time, surrounded by a circumboreal assemblage of species. The sweet, acidic aroma of sphagnum and conifer needles permeates the air. The snow melting off in the afternoon sun causes creeks and rivulets to form in the trail, headed downstream to join the rising rivers. Hardwoods begin to appear among the spruces, and I鈥檓 approaching the end of the ice age. My stride opens and I鈥檓 grinning and laughing the whole way.

A startled hiker 鈥 the first other human I鈥檝e seen that day 鈥 brings me back into the present as I bound down the slick, rocky trail. Within an hour I am back at the trailhead in shorts and a T-shirt, late-autumn leaves still clinging to the trees. I sit awhile watching the bumblebees forage on the asters and goldenrods, in stark contrast to the frozen, windswept ridgeline where I have just been. I have experienced all four seasons within a matter of hours. Satisfied by my snowy adventure, I鈥檓 content to return to our valley and wait for winter to arrive in earnest.

November brings more frosty mountain ridges in the morning alpenglow. The thin snow cover in early winter seems to amplify every contour on the landscape. Old logging roads, stone walls, and cellar holes emerge; cliffs and outcrops become more defined. Each snowfall lasts a little longer as the ground freezes and the nights stay cold. December brings several major storms of wet, heavy, cement-like snow, and within weeks we are at near-record snowpack. The contours of the hillsides are hidden, and the Woodbury Range is a rolling, white expanse. My neighbor Jon is skiing cliffs where he has not dared to venture for decades.

A thaw arrives in mid-December, bringing an early end to our 鈥済lacial maximum.鈥 I am awakened by snow slumping off the roof and steady drips accelerating through the night. Dense fog has moved in by morning, as warm humid air meets the cold valley bottom. We remain socked in for days, as gentle rain erodes the deep, resilient snowpack. On the afternoon of December 18 the sprinkles become a downpour, and temperatures soar to almost 60 degrees Fahrenheit. Nearly three inches of rain falls, and the remaining two feet of saturated snow begins to melt.

From the safety of our cabin, I watch helplessly as a megaflood of glacial proportions fills the ancient riverbed. Ice and debris rage into the headwaters of the Winooski River. Downstream, it rips up roads, inundates homes, and shutters businesses still recovering from the last major flood just months before. Waterfalls erupt from the cliffs overhead, and seasonal creeks swell. Suddenly the roar is deafening. The proglacial river of the late Pleistocene returns, sweeping through the alder swamp, chunks of ice scouring the banks, willows and alders snapping in half.

Again, I feel as if I鈥檓 hurtling forward in time through the end of a glaciation, only this time I鈥檓 not laughing. Something terrifying has been set into motion as eight billion social primates merge to move mountains, reshape rivers, and define an epoch. We鈥檝e entered uncharted territory where seasons change within hours and an ice age ends in a day. Events that once transpired on the scale of geologic time are now occurring within a human lifespan 鈥 and my dreams and nightmares have become reality. In between the moments of despair, there are instants of beauty and awe as we witness something that no one has ever seen before.


Jason Mazurowski

About the Author

Jason Mazurowski is an independent ecologist, FN alum (Cohort AI), and instructor in the Field Naturalist Program.

 

It's a Bear's World by Rachel Goland
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Bears eating berries off a bush

Published September, 2024

There鈥檚 bear sign all across New England. The bear-marked beeches in the northern hardwoods, claws gouging a route up the smooth, gray trunks 鈥 relict evidence of mast years past. The bear wallows: Muddy, soft edges. Tangled vegetation. A snapped-off spruce alongside.  

In the winter woods, there is no fresh sign, but the bears are here. They鈥檙e in tree hollows, under brush piles, tucked beneath glacial erratics left behind 10,000 years ago. They鈥檙e peppered across the landscape in sleepy stasis, under the blanket of ice and snow. 

Because most bear encounters are mere glimpses, so much of a bear鈥檚 presence is assumed and imagined. Until it isn鈥檛. 

Once, in seasonal housing in the White Mountains of New Hampshire, I woke to a bear with her nose pressed against the screen lining my open bedroom window. The bear was eagerly sniffing a Tupperware of snacks I had pushed up against the wall. She sounded just like my dog. 

Another time, I peeked out from my tent and watched a small black bear trying to puzzle open the tailgate of the truck where we had stored our food for the night. When I clicked on my headlamp the little bear dropped to all fours and, with indisputable sheepishness, ambled back down the road. 

A few years ago, while visiting my family in upstate New York, I saw a large bear struggling to reach a birdfeeder strung on a line between two trees. The bear stood up, bipedal, human-like, and stretched his arms above his head, neck craning. When he still came up short, he bent his knees and jumped. 

 

I have always loved bears. Every glimpse I catch of one is a privilege. But not everyone feels that way. Bears can cause very expensive, very real problems.  

Beyond the petty crimes of pilfered hiker backpacks and tipped trash cans, bears do serious damage to property, livestock, and crops every year. According to a 2019 interview on Vermont Public about bears damaging corn in the town of Huntington, crop damage to a single farmer alone can cost tens of thousands in losses.  

Bear damage changes year to year. In mast years, for instance, they鈥檙e much less likely to seek out human food sources. However, incidents of bear-human conflict are generally on the rise in New England.  

This rise is in part the result of ample amounts of high-quality food in urban landscapes, combined with shorter hibernation periods due to climate change and the increased development of forested landscapes. Today, Vermont is home to between 7,000 and 8,500 black bears. While this population is a high point for the state, according to Jaclyn Comeau, Vermont Fish and Wildlife鈥檚 black bear project leader, it is not unprecedented. Continued population growth could trigger changes in the state鈥檚 management actions, however. 鈥淲e鈥檙e watching closely,鈥 said Comeau in a phone interview in February. 

 

There鈥檚 something undeniably familiar about the black bear. Maybe it鈥檚 the bipedal walk or the hand-like paws. Or maybe it鈥檚 that, according to Ben Kilham鈥檚 In the Company of Bears, 鈥渋t鈥檚 quite possible that pre-human and early human culture and communication looked a lot like a bear鈥檚.鈥  

While this may seem far-fetched, Dr. Kilham, a gunsmith-naturalist turned PhD researcher, has 30 years of field experience with black bears to back up his theory. He first began rehabilitating black bear cubs in the spring of 1993 as a licensed wildlife rehabilitator. Since then, over 600 bear cubs have passed through the Kilham Bear Center in Lyme, New Hampshire, before being released back into the wild.  

In addition to giving black bear cubs a second chance at life, the Center has allowed Kilham unprecedented opportunities to study bears as they grow and develop. Rather than being solitary, bears, as Kilham told me in a phone call, 鈥渁re social, like we are.鈥 According to his research, they even have friends. These unrelated bears often travel through the forest together, searching for and sharing food. When I questioned him about his use of the word 鈥渇riends,鈥 he responded readily: 鈥淲hat else would you call it?鈥 

In the spring of 1996, Squirty arrived at the Kilham Bear Center. Named for her then-diminutive stature, the 28-year-old bear now rules her home range in New Hampshire. Generations of female black bears, down to great-granddaughters, share Squirty鈥檚 patch of forest. Squirty is a foundational subject in Kilham鈥檚 decades of research and, according to In the Company of Bears, enjoys Oreos. In fact, he writes, he knows she can count to 12 because she always knows if there鈥檚 a cookie missing from the sleeve. Their relationship is one built on decades of trust and paid for by food. Kilham claims she sees him as both a fellow bear and as her mother. 

Through his work, Kilham has effectively upended scientific knowledge about the lives of black bears. In addition to having friendships, he鈥檚 found that black bears are members of a complex and dynamic society 鈥 a society with relationships and social contracts, organized by matrilinear hierarchies in which a dominant female bear shares a home range with her female descendants. 

Bears, whose sense of smell is thousands of times more sensitive than ours, rely on what Kilham calls a 鈥渃omplex olfactory web鈥 of information crisscrossing the forest to communicate with one another. In acts of reciprocal altruism, they often leave behind purposeful scent trails to share food sites with their fellow bruins. Sharing surplus food is a gesture of goodwill between bears and represents a favor that will, someday, be returned.  

Unfortunately for all involved, humans leave surplus food, or food-scented things, everywhere. Dumpsters piled high. Grills that haven鈥檛 been cleaned since the last barbecue. Birdseed dangling temptingly in feeders. Chickens stacked neatly in their coops for the evening. Unsecured apiaries and apple trees. A candy bar left in an unlocked vehicle. The list goes on.  

Since humans don鈥檛 effectively mark ownership over our food stores through scent signals the way bears do, they interpret what we leave out as up for grabs, a sign of interspecies goodwill. After all, according to bear-world social conventions, it is. This simple miscommunication results in the State of Vermont fielding 800 to 1,400 bear incident reports annually. Each year state officials end up euthanizing 15 to 40 bears whose unintended crimes have crossed the line of human tolerance. 

Fortunately, according to Comeau, Vermont officials are extremely hesitant to take lethal measures against bears. 鈥淲e鈥檙e not going to kill our way out of these problems,鈥 she said, expounding on the other tools wildlife managers use to deal with bears in the state. In addition to tweaking hunting seasons to curtail bear populations, managers may catch and frighten the bear with rubber bullets and loud noises so that the bear comes to associate humans with intense stress, a method known as 鈥渁versive conditioning.鈥 Managers and landowners also use dogs to scare off bears. On rare occasions, if the bear is young enough, Vermont officials might relocate it to a less populated area. But most of all, education is key. From coaching homeowners through dealing with a 鈥減roblem bear鈥 over the phone to town-level presentations, much of Comeau鈥檚 work involves 鈥渢rying to increase Vermonters鈥 bear IQ鈥 through outreach efforts on all scales. 

Kilham agrees with this priority. 鈥淵ou鈥檝e got to spend a lot of time on education,鈥 he said. Often, in his experience, bears end up taking the blame for human negligence. 

 

I find it reassuring that wildlife managers in Vermont are far from trigger-happy when it comes to managing bears, but the rising prevalence of bear-human conflict 鈥 a conflict humans can prevent 鈥 is disheartening. We know better. We can do better. Why don鈥檛 we?  

鈥淲e need to accept,鈥 Comeau said, 鈥渢hat coexistence is going to be messy, not perfect.鈥 

Our coexistence is messy. It probably always will be. Bear and human worlds are built upon different foundations. We speak different languages, have different customs, expect different things from our neighbors and friends.  

But, as Kilham has demonstrated, it is possible for us to understand one another. It鈥檚 at least possible for us to try. Gloria Dickie, in her recent book Eight Bears, describes human coexistence with bears as 鈥渁n ongoing process of innovation, determination, and, ultimately, compassion.鈥  

It鈥檚 so easy for me to look to pure science and numbers for an end-all solution. To forget that bears are not just a population of mammals, but a society of dynamic and creative individuals. I鈥檓 not quite sure how to hold science in balance with the practice of compassion, but maybe it鈥檚 rooted in wholeheartedly considering that our human society is one of many, cobbled together across a constantly changing and fragmented landscape. Maybe it鈥檚 time to decide that too much has already been lost in translation here in Vermont. That since the bears were here first, it鈥檚 only right for us to be the ones to learn to speak their language. 

After all, it鈥檚 a bear鈥檚 world. It always has been. We just live in it. 

 

Elfin Wings and Big Places by Bryan Pfeiffer
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Images of 8 various butterflies

Published September, 2024

Let鈥檚 be honest about the genus Callophrys: with a few green exceptions, these aren鈥檛 exactly charismatic butterflies. 

 

 Commonly known as 鈥渆lfins and green hairstreaks,鈥 Callophrys butterflies invariably perch with their wings folded closed above their bodies, at which point they become about the size of a penny 鈥嬧撯嬧嬧斺嬧痑nd only somewhat more ornate. 

 

 The Callophrys (KA-loh-friss) have never inspired poetry or gained much traction on social media. They鈥檝e not been a cause c茅l猫bre of demonstrations or protest marches. Nobody鈥檚 out there shouting, 鈥淪ave the Callophrys!鈥&苍产蝉辫;

 

 Except maybe me鈥,鈥嬧痓ecause I鈥檝e come to admire the Callophrys as near-perfect insects. Tiny and gossamer, these butterflies nonetheless express big and enduring ideas in nature, including human nature. 

 

 First is intimacy. Once you locate a Callophrys species, perched on a twig or a flower, it will usually allow you to approach and sit in its good graces, which is unusual among butterflies. After some time your Callophrys will indeed depart the scene. But if you are like me, it will usually leave before you do because it is hard (perhaps heartless) to turn your back and walk away from one of these endearing butterflies. 

 

Rarely are we so close and unobtrusive to wildlife, especially among airborne animals. Sitting with a Callophrys butterfly, watching it sip nectar or lay an egg, seeing it interact in the most fundamental ways with the world, feels like some sort of guilty pleasure of which I might not be worthy. These encounters don鈥檛 make insects any less different from us, but 鈥媡hey 鈥媍ertainly make鈥媠鈥 them less remote and otherworldly.  

  

Next is diversity. Depending on whose unsettled taxonomy you prefer, at least three dozen Callophrys species live in the world (perhaps many more), mostly in boreal and temperate regions, including two dozen or so in the Americas. Some Callophrys species are generalists, laying their eggs on varied host plants, on which the caterpillars will feed and grow; others are specialists with but a single host. 

 

Regardless of their dietary inclinations, or actually because of it, Callophrys exemplify one of the greatest relationships in the history of life on Earth: the shared evolution of insects and plants. At its most basic, insects get food and plants get pollinators. As it turns out, moths and butterflies (order Lepidoptera) tend to prefer angiosperms, owing to their softer, more nutritious leaves for the caterpillars and greater floral diversity and nectar abundance for the adults.  

 

But some Callophrys go for gymnosperms. Although rare among butterflies, the bond between Callophrys and conifers is perhaps my favorite thing about these butterflies. For one thing, it embodies the charm of the obligate, an intimacy between two organisms (although conifers in this case get little if anything from the relationship). 

 

Hessel鈥檚 hairstreak (Callophrys hesseli), for example, lays its eggs only on Atlantic white cedar (Chamaecyparis thyoides)鈥,鈥 and nowhere else in the world. You might find the cedar and no hairstreaks, but you will never find a Hessel鈥檚 hairstreak far from Atlantic white cedar. I have encountered the two species together across the full extent of their shared range 鈥嬧撯嬧嬧斺嬧痑 coastal plain and inland strip running from the Gulf of Mexico to southern Maine. Where most people might see a distribution lying within the megalopolis known as the Eastern Seaboard, I instead see the only terrain on Earth where a little butterfly might find its essential tree. 

 

Closer to the academic home of the Field Naturalist Program, one of the most elusive butterflies on the continent, bog elfin (Callophrys lanoraieensis), is obligate on black spruce (Picea mariana) at woodland bogs across northern New England and adjoining Canada. At the relatively few sites where it is known, bog elfin is virtually unknown 鈥嬧撯嬧嬧斺嬧痮n the wing as an adult for only about two weeks from late May to early June. It spends the rest of its days on spruce at the bog as either egg, larva, or pupa (chrysalis), all of which are also exceedingly hard to find. 

 

As field naturalists, we define a natural community by the sum of interacting parts and processes 鈥嬧撯嬧嬧斺嬧痑 synthesis that helps us know where we are and a synergy that offers us reason, reassurance, meaning, even story. A Callophrys butterfly is really no different. Although it eats only black spruce needles as a caterpillar and sips nectar from rhodora (Rhododendron canadensis), leatherleaf (Chamaedaphne calyculata)鈥,鈥 and perhaps a few Vaccinium species as an adult, a bog elfin is after all made entirely of the bog鈥嬧撯嬧嬧斺嬧痑nd everything that conspires to be a bog.  

  

And maybe that鈥檚 all the story I need. A butterfly the size of a penny unwittingly tells me where I am in the world. Reclusive and rare, a bog elfin is more than a little brown butterfly. Made of needles and nectar, it is a living monument to a bog 鈥嬧撯嬧嬧斺嬧痜rom 鈥嬶考鈥媔ts glacial history to the orchids that will bloom on its mat in the weeks after the elfin and I have departed the scene. Though you can bet that I won鈥檛 leave before the


About the author:

Bryan Pfeiffer is a field biologist and an occasional lecturer in the FN Program. Find more of his essays online at Bryan's Substack, titled .

A Question of Scale by Alicia Daniel
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illustration of the base of a birch tree

Published September, 2024

Sun streams under the evening clouds, lighting us up on Raven Ridge. We are glowing, and not from exertion. Eighteen Vermont Master Naturalists just spent five hours hiking a quarter of a mile with me. We smelled the sharp wintergreen scent of black birch sap, rubbed the sulfur yellow buds of a bitternut hickory and gazed at its canker-strewn branches, and we ate bright red American basswood buds (picture a mouse in a motorcycle helmet!) and felt the slippery mucilaginous goo in our mouths. It is Superbowl Sunday or, if you prefer, just another Sunday in the woods chilling with winter trees.

Creating the Vermont Master Naturalist Program is a dream come true. VMN is fertile ground for teaching the layer cake approach and, best of all, it allows me to work with 日韩无码 Field Naturalist and Ecological Planning graduates. FNEP alumni Sean Beckett, Sophie Mazowita, and Monica Przyperhart head VMN Chapters in Montpelier, Cambridge, and Middlebury areas. Alumni also lead field days on natural communities, pollinators, and winter tracking and star in VMN films about wildlife habitat and vernal pools. 

Nationally, most Master Naturalist programs focus on plants and animals 鈥 the charismatic living pieces of the landscape. VMN diverges by building a framework from the ground up, giving natural communities a solid geologic foundation. Besides its holistic approach, VMN is unique in scale. Other master naturalist programs are regional, state-wide or, in one case, national. The Vermont Master Naturalist program is by nature local. 

It鈥檚 as if the question of VMN鈥檚 scale was decided by men sitting around an oak table in Massachusetts 250 years ago, gridding off six-mile-by-six-mile squares on a Vermont map. Those squares became Vermont towns. The founders鈥 experiences with towns in southern New England taught them that six miles by six miles was a magic number. That distance allowed farmers (and eight out of ten Vermont settlers would be farmers) to travel from anywhere in the town by horse or by foot to the center village, conduct their business, and get home again in time to milk the cows. Center villages by charter had a church (or two or three), a green for military drills, a post office, a store, and often later additions like a pound for loose pigs. Vermonters of European descent embraced their towns and have hung on tightly ever since. 

It turns out that telling the story of Vermont in a six-mile-by-six-mile-square area is a piece of cake. All you need are bedrock outcrops, gravel and/or clay pits, stone walls, cellar holes, barns, natural communities, and wildlife to track in winter. Almost all Vermont towns have these features 鈥 if you know where to look. And it is fun to look. It's a game of 鈥渓et鈥檚 find your special places,鈥 whether it鈥檚 a glacial spillway over a mountain pass or a hidden glade of lady鈥檚 slippers right in the middle of town.

In addition, decisions about school budgets, local taxes, and conservation issues such as managing a town forest, delineating wildlife corridors, or restoring riparian buffers are decided at a town level in Vermont. These decisions are often made by volunteers. It鈥檚 a lot to ask of them. Working with Vermont Fish and Wildlife鈥檚 Community Wildlife Program, in collaboration with FNEP alumni Jon Kart, Jens Hawkins-Hilke, and Dave Moroney, VMN helps provide ecological training and technical support to these individuals.

Two hundred and fifty years later, the town scale is still a human scale. Vermont Master Naturalists are neighbors who receive ecological training and then work on projects in their town. They know the school where they are planting native plants for pollinators and other wildlife, they know the floodplain where they are removing knotweed and planting trees, they know the places to set cameras to capture wildlife photos, and best of all they get to know each other. As VMN begins to weave a network of alumni through Conservation Field Days and other offerings to address conservation issues at a watershed level, the distance people travel between towns is still manageable. The carbon footprint remains light. And people are amazed by what is right outside their door.


Jason running along a ridgetop.

About the Author

Alicia Daniel (Cohort E) loves spending her time training and mentoring naturalists through the 日韩无码 Field Naturalist Program and the Vermont Master Naturalist Program.

At What Cost? by Lucy Gross
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Watercolor of an ancient amphibian

Published, September 2024

Between October 2 and 3 in 2009, a sea of dead mudpuppies, Vermont鈥檚 largest salamander, floated down the Lamoille River into Lake Champlain. The final count reached 512 individuals, and all had died from a government-authorized pesticide release at the Peterson Dam. This devastating event was the highest mortality of the salamander in Lake Champlain鈥檚 history of lampricide use. The pesticide, designed to kill larval sea lampreys, has been justified for this use to save lake sturgeon, the host of the parasitic lamprey. 

Until the late 1960s, lake sturgeons were commercially harvested from Lake Champlain and soon thereafter were added to the endangered species list. Despite new legal protections and their high fecundity, the population in Lake Champlain has not recovered. One of the non-human factors decreasing lake sturgeon鈥檚 numbers is the sea lamprey, an eel-like ancient fish with a circular mouth ringed with teeth. It latches onto large fish to drink their blood and bodily fluids, leaving circular wounds on its host. Lake sturgeon with 鈥渘aked,鈥 scaleless skin are especially vulnerable to sea lampreys. 

Equipped with evidence of high mortality rates among many of Lake Champlain鈥檚 large fish species, including lake trout and land-locked Atlantic salmon, governmental conservation agencies proposed using a lampricide in their breeding tributaries. These same tributaries are home to mudpuppies, striking salamanders with feathery red gills. Mudpuppies are one of many amphibians affected by the lampricide, but fortunately, most other species are not dying in numbers as high as those tallied in the 2009 event. A couple of questions come to mind when weighing all the pieces of this restoration effort. Is saving the endangered lake sturgeon in Lake Champlain by reducing sea lamprey with lampricide worth potentially endangering mudpuppies and other amphibians? How do we weigh the value of one species over others? 

The complexity of sea lamprey control resonated with me as an ecological restorationist. Although I never worked on managing animal species or in river ecosystems, it brings up questions that have been swirling in my mind for a number of years. Questions with no definitive answers. Deeply ethical questions about the consequences of restoring habitats with herbicide. In my restoration work, I saw many ecosystems where invasive species had replaced native ones. I managed the invasives in hopes of doing what was 鈥渞ight鈥 for the ecosystem, and often this meant using herbicides. 

I have seen ecosystems change drastically from proper herbicide treatments. A coastal pond surrounded by a monoculture of phragmites turned back into a basin of native plant species. In another instance, I treated a purple loosestrife-dominated wetland to aid in the re-establishment of monkeyflower, a critical resource for a native bee species that had not been seen on the site for a number of years. That bee returned the following growing season. 

Unfortunately, with native habitat restoration come the consequences that are harder to see, which often go unmonitored due to lack of funding or observability. Few consider the native shrubs outside of the survey area that are affected by herbicide translocation through the soil or drift on a windy day. It is difficult to count the bees that visit the recently sprayed crown vetch. 

Most restoration projects use post-vegetation surveys to analyze the benefit to the ecosystem. Most do not conduct amphibian and insect population inventories before or after treatment 鈥 even in those studies that do conduct post-application mortality surveys, many amphibians will die at the bottom of rivers, never counted. Most projects do not collect soil samples to understand if the herbicide traveled away from the treatment area or its effect on microbes. The consensus within the restoration community is that the restored habitat will bring about more biodiversity than those species that were killed by the herbicide treatment. I have often sat with this statement and contemplated its truth. 

Ask an expert about herbicide use in restoration, and they will talk about the importance of protecting umbrella species and using a variety of management methods. Scientists have made incredible strides in understanding how to use pesticides in effective, responsible ways by lowering the necessary concentration or shifting the timing to lower its effect on other species. Dr. Ellen Marsden, a restoration ecologist working predominantly on lake trout and sea lampreys in the Great Lakes, said, 鈥淸Better use of pesticides] is going in the right direction. It鈥檚 just achingly slow.鈥 Restorationists do what we think is right based on the data and then shift management methods when new research suggests better possibilities. Despite the methods being strongly rooted in current science, many restorationists still ask themselves moral questions about whether their efforts are benefiting the natural world. Most believe the benefits outweigh the consequences without knowing the true burden of the consequences. 

        Since the 2009 event on the Lamoille River, mudpuppies have been suggested as an addition to the endangered species list three separate times. U.S. Fish and Wildlife has refused to conduct the required population inventory in Vermont, and mudpuppies鈥 status has not changed since the first use of lampricides in the 1990s. 

Although the lake sturgeon population continues to decline, Atlantic salmon and lake trout sustain far fewer wounds from sea lamprey, and their populations have recovered to a sustainable size. Yet lampricides are still being poured into Lake Champlain鈥檚 tributaries, and amphibians continue to die. U.S. Fish and Wildlife will treat the Lamoille River in 2024 and 2028. When asked if she expects the treatment of sea lampreys to slow, Dr. Marsden said, 鈥淭he experiment of simply stopping lampricide applications is too scary. We suppress sea lamprey populations because we assume lake trout populations will collapse if we don鈥檛. But what happens if we didn鈥檛 kill the larval lamprey? If we are wrong and we lose this hard-won progress toward lake trout population restoration? That would be sad.鈥 

 

Look Again, and Look Closer by Susan Sawyer
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Published, September 2024

I spend a lot of time (some would say an excessive amount) looking at things, sitting down in a place so I can see what鈥檚 around me, bringing things in so I can see them better. As a child, I almost became a believer in magic when I discovered the tracks of bark beetles, clearly a form of writing, and the imprint of the stigma on the spongy-thick innermost petal of a yellow pond-lily, which looks like a stamp of a radiant sun.  

 

I am pretty old now and I鈥檝e done a lot of different things for a living 鈥 milking cows, picking apples, pruning orchards, bagging clothespins, weaving yardage, making art quilts, instructing undergraduates and elementary school kids and teachers, teaching drawing (mostly to retirees), writing and illustrating natural history subjects for scientific and educational publications, and selling drawings and paintings. The constant is contemplation. Just staring at the world and taking it in. There is nothing better to do with the time I have on Earth, if you ask me. 

 

I live next to two small post-glacial lakes, the King Ponds, near South Woodbury, Vermont. I鈥檝e known them my whole life and spent a good deal of time around and in them. For years I鈥檝e been drawing the things that live there. We walk around, human size, with the eyes we have, and we easily notice things that are in a particular middle size range, because we move too fast or we simply overlook what is small. We need first to slow down, then to get out the hand lens, the dissecting scope, the compound scope. What is more surprising than the world under our noses?  

 

The smallest organisms I鈥檝e ever drawn are these below 鈥 the large starry one is the diatom Asterionella. Each spicule is about 50 microns long, or one-twentieth of a millimeter. There鈥檚 a Mallomonas in the lower left corner and an unidentified green alga in the upper left. I have a plankton net, good for the copepods and cladocerans that live suspended in the water by the zillions. But the tiny diatoms and green and golden algae go right through it. When a team of paleolimnologists visited in the summer of 2009, Bill D鈥橝ndrea, now at Columbia University, had the kind of fine-mesh net that catches the really little stuff. I borrowed some and put it under the compound scope. By holding the digital camera up to the eyepiece, I got photographs clear enough to draw from. 

 

 

Microscopic Samples

Planktonic Algae, 5x6鈥, silverpoint and gouache on paper 

 

Silverpoint is drawing with a pure silver stylus, a medium from the Renaissance 鈥 not much used since the advent of graphite 鈥 a little finicky (paper has to be prepared, there鈥檚 no erasing, it鈥檚 never really dark), but I like it for its subtlety. The marks, with time, tarnish warmer and darker, and there is nothing that looks quite like it. 

 

Scale is always an element in any representational work, as are framing and composition. How big is your subject, and how big should your picture of it be? What happens when you go in closer, and stop looking at the whole?  What subjects catch the imagination and make you want to draw them? What will you leave out, and not draw?  

 

I look for pattern. Shapes, structures, repetition with variations 鈥 those catch the eye. Turn over a leaf to observe its venation. There鈥檚 a spot at the edge of the upper King Pond where a west-facing slope covered with hemlocks comes down to the pond edge and there鈥檚 enough light for a vigorous shrub layer of hobblebush and goosefoot maple. I made a series of drawings of them. Two are side by side here: 

 

Microscopic samples of leaves

On the left, Hobblebush Leaf, Viburnum lantanoides, graphite on panel, 5鈥漻5鈥. Rand right, Goosefoot Maple Leaf, Acer pensylvanicum, graphite on panel, 5鈥漻5.鈥 Scale approximately 1.25x. 

 

These are big, thin leaves 鈥 lots of surface for photosynthesis, too fragile to be out in the wind but perfect for a semi-shady spot. Looking at those leaves, you see that not just the mid- and lateral veins, but also that the veins connecting the laterals are striking. Leaves this size need more structure than small ones, and they have very different ways to solve the same problem. One with undulating cross-veins like waves, one with a system of segments from each lateral vein that meet in the middle and form an irregular honeycomb of polygons. The shapes are similar but never the same. A person could spend a long time looking at such a leaf. 

The Era of Hybrids by Robert Langellier
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Field of green grass with blue cloudy sky above

 

Published September, 2024

Last summer I worked as a field botanist in western Missouri prairies, identifying plants in 100-degree weather, usually with the closest shade tree in driving distance. We were studying patch-burn grazing, a type of land management being tested by the state that would combine cattle with prescribed fire. The idea was to imitate natural cycles of megafauna and fire in an economically profitable way.  

 

It sounds great. It was a disaster. The prairies were in a state of ruin, overrun by blackberries, sumac, and other weedy species. Likely to blame were prescribed fires repeatedly set out of season, when native plant sap was already flowing. We botanized in a state of ecological grief, frustrated that land management agencies refused to shut the program down. My boss at the time, Justin Thomas, approached me while my face was nose deep in goldenrod at Diamond Grove Prairie 鈥 a prairie that was still in decent shape, but trending downward. 鈥淲ant to see a cool hybrid?鈥 he said. 

 

He took me to see a panic grass, a cross between Dichanthelium neuranthum and D. lanuginosum. He also showed me both parents, growing a handful of meters apart. They were all only about a foot tall. Spread out next to one another, they appeared distinct. Had I seen them on my own, I would have never known the difference. 

 

For centuries hybrids have spellbound some botanists and intimidated many more. Often, hybridity serves as a convenient offramp for botanists having trouble with a difficult specimen or group. Weird-shaped leaf? Hybrid. Inflorescence bracts not long enough? Hybrid. 鈥淚nability to determine a specimen does not indicate hybridity,鈥 wrote Rubus specialist Liberty Hyde Bailey in 1941. 

 

In 1948, the botanist Edgar Anderson published 鈥淗ybridization of the Habitat鈥 in the journal Evolution. It was the type of scientific writing that flourished then and that you鈥檇 never see in the pages of Science today: descriptive, reflective writing that is enjoyable to read. In it, Anderson made an astonishing claim: for a hybrid to thrive in nature, it must need a hybridized habitat, one that is intermediate between the two habitats of its parent species. He gave the example of irises in Louisiana, which naturally created hybrid swarms in response to ditching, pasturing, lumbering, and road-building in the 1930s. The Mississippi Delta was laid out in such a way that farmers worked long, narrow plots of adjacent land, 鈥渨ith almost the precision of experimental plots.鈥 Each farmer treated his land slightly differently, creating a variety of intergrading, unfilled niches for hybrid irises to take advantage of. As the hybrids shuffled their genomes around, each of their results seemed to thrive somewhere in the immediate area. What Anderson saw in those hybrid swarms was a form of wild, spontaneous speciation enabled by humans.  

 

This rarely happens in nature, where all ecological niches are already filled. Hybrids often display exceptionally robust traits, such as large flowers or drought resistance 鈥 a phenomenon known as hybrid vigor 鈥 but without an available niche, they tend to sputter out. 鈥淭he chance that that organism does better in a stable ecosystem than one that has been evolving for millions of years is almost none,鈥 says Benjamin Goulet-Scott, who earned a Ph.D. on phlox hybridization at Harvard. Anderson, in 1948, was proposing that human disturbance was changing the nature of plants, providing rewards for hybrids over normal sexual progeny. 

 

Anderson鈥檚 hypothesis was largely inductive, and as Western science distanced itself from conjecture, his claim was put into the attic of scientific history. Anderson was considered a curious pioneer of ideas, but hybridization of the habitat lacked empirical support. 

 

*** 

 

Hand holding grass over notebook page

When I look at the more degraded prairies of western Missouri, I see ecologies in chaos, desperately trying to make sense of disorder. Misuse and abuse have broken fundamental ecological links, and many are spinning out of control, filled with simple, generalist species scratching out harsh, annual existences devoid of mutualisms. By contrast, intact prairies in the region radiate a musical sense of interdependence. Junegrass and marsh bristlegrass sway in islands of royal catchfly and blue wild indigo. Pollinators buzz in rhythmic pulses. Even if you lack an ecological vocabulary, you can feel the harmony of functional integrity when you鈥檙e inside it. This sounds like a pagan fantasy. It isn鈥檛. It鈥檚 hard to see in raw data, but Thomas has developed sampling indices that highlight it in summarized form. High-integrity prairies have fundamentally different trajectories than disturbed ones. 

 

He sees the narrative in individual plants, too. Coincidentally, Thomas is a world expert on Dichanthelium, a genus of panic grasses that hybridizes readily. In this weird little specimen we were looking at, he could see the abuse of land, biological chaos, and an attempt to seek order.   

 

Hybridization is a short-term evolutionary gain 鈥 a way for plants to expand rapidly into new places when systems go haywire. It鈥檚 essentially spaghetti on the evolutionary wall, biology鈥檚 means of guessing at an answer on a test. 鈥淥ne way to think of hybridization is a massive simultaneous mutation,鈥 Goulet-Scott says. Recent studies have shown that many invasive plants gain their invasive tendencies 鈥 like early flowering or increased seed production 鈥 through hybridization, both with native species and other non-native stock. The findings have helped spin off their own subfield of disturbance ecology. In 2014, a paper by Qinfeng Guo in Biodiversity Research finally showed empirical evidence for Anderson鈥檚 hybridization of the habitat. 

 

Similar to mutations, the vast majority of hybrids in nature go nowhere (mules, for example, can鈥檛 reproduce). But when we bulldoze, mine, pollute, or otherwise misuse the land, they can represent a mad dash toward adaptation in a violent environment. Normal sexual reproduction 鈥 the kind you learned about in high school biology 鈥 is a slower, more stable approach to evolution, with smoother narrative arcs over deep time. When habitats change in a geologic blink, as they have done in the Anthropocene, quick and dirty adaptation is an asset.  

 

The last century has seen a drastic increase in hybrid plants in North America, with the epicenter in New England, one of the most heavily disturbed regions on the continent. As we continue to expand our populations into the Southwest, the Southeast, and Midwest, we can expect hybrids to follow us everywhere we go.  

Myxophilia by Steve Root
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Image of a Chocolate Tube

Pictured: "Chocolate Tube" slime mold, Stemonitis splendens.

 

Published September, 2024

The gray-green fronds of a neglected staghorn fern drooped sadly down the sides of its pot, which was full of desert-dry soil. I wasn鈥檛 sure it had a chance at revival, but I wanted to try. I researched its needs, watered it, and placed it in a south-facing windowsill. A few months later, bright green fronds unfurled from its center, reaching straight up in full vitality. As a naturalist and nature-lover, I beamed with joy at having succeeded in bringing this plant back to life. 

This delight is rooted in biophilia: humans鈥 innate love of living things. E.O. Wilson鈥檚 1984 book Biophilia popularized the term in the cultural lexicon, and innumerable anecdotal accounts of the phenomenon support its existence, despite the lack of quantitative proof that we have some hardwired love for nature. Naturalists, it would seem, are the equivalent of a type-specimen for biophilia. I can recall so many moments of experiencing it in my life: flipping logs to find toads as a child in Florida, the salmon run in Alaska, my first hike through California鈥檚 old growth redwoods. The wonder and awe were already within me. 

I recently stumbled upon a study that has made me rethink my understanding of the term. In 2022, scientists from the University of Chicago designed a wrist-worn heart rate monitor that only works if a slime mold 鈥 integrated into its electronics 鈥 is properly nourished by the wearer. The study was investigating whether humans might develop a 鈥渃are-based relationship鈥 with the device if its function depended on an actual living organism. The slime mold is housed in a transparent case at the base of the device and integrated with the circuitry of the heart rate monitor. Users feed the slime mold by placing watery oats in a compartment on the side of the case. If left unfed for too long, the slime mold goes dormant, and the device stops working. The results of the study suggest that, yes, users do indeed care for the slime mold and the device, and therefore are likely to keep the device for longer. 

Slime molds are in the kingdom Protista 鈥 a catch-all kingdom for eukaryotic organisms that are not plants, animals, or fungi. The species used in the study, Physarum polycephalum, might be familiar to you as the slime mold that, in a famous experiment, recreated the routes of the Tokyo metro system when presented with food arranged in the pattern of the actual stations. Despite being single-celled, it demonstrates incredible problem-solving abilities and social dynamics. In a group known as the plasmodial slime molds (class Myxomycetes), Physarum polycephalum goes by the common name 鈥渢he blob,鈥 which refers to the bright yellow oozing appearance of the organism as it feeds on microbes and decaying organic matter. It鈥檚 hardly an adorable creature. 

The human capacity for biophilia is, apparently, so great that a single-celled yellow blob, completely isolated from its forest habitat, enabled caring relationships between people and heart rate monitors. Study participants called the device their 鈥渓ittle friend鈥 and 鈥減et,鈥 and all participants described feeling 鈥渟adness鈥 when they were instructed to neglect the slime mold as part of the study. As a naturalist, I can understand biophilia for shrews, grassland hybrids, or even individual staghorn ferns. It blows my mind that a slime mold can have the same effect. 

Perhaps this study鈥檚 revelations on the reach of biophilia can help build a more engaged and understanding conservation community. Can naturalists help people access their own biophilia to reduce bear-human conflicts, or to save mudpuppies from death by lampricide? Can we go a step further, and harness biophilia to nudge people toward a better understanding of our collective reliance on biodiversity? Simply going outside and being face to face with the plants, animals, and slime molds of our local trails might be even more impactful than previously thought, if we allow ourselves the time to develop relationships with them. If the presence of a slime mold can convince people to care for a plastic watch, then I am convinced that biophilia can be better leveraged to grow the conservation community. 

Making Scents of It by Alyssa van Doorn
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Photo of a shrew at the base of a tree surrounded by fallen leaves

Published September, 2024

 

Scattered on the floor of a dying hemlock stand in Petersham, Massachusetts, are 100 aluminum live traps, similar in size to an elongated but squat tissue box. Walking the neat 10-by-10-meter grid, I kneel down to look for closed and open doors. Each closed door feels like a game of roulette, and a win is a pair of small round eyes gazing back at me. When my eyes meet theirs, I say, 鈥淕ood morning鈥 鈥 it鈥檚 the only polite thing to do given that the sun is still rising. My chipper greeting doesn鈥檛 put the creature at ease.  

As a fauna field technician conducting small mammal sampling, I always hoped for deer mice in my traps. With their rounded upright ears and deep brown, too-big-for-their-body eyes, they鈥檙e adorable, and the target of my work. Not all forest-dwelling small mammals that find their way into traps have the charm of a mouse, though. The northern short-tailed shrew (Blarina brevicauda) doesn鈥檛 look back at you with an endearing glimmer; its barely-there, poppyseed eyes can鈥檛 distinguish more than light and dark. But eye contact isn鈥檛 always necessary to know you're interacting with a short-tailed shrew. Your nose may tell you first.   

This winter in Weld, Maine, during 日韩无码鈥檚 annual Winter Ecology course, renowned scientist Bernd Heinrich and I chatted about the northern short-tailed shrew. I excitedly asked him if he knew why they smelled so鈥dd. He looked at me puzzled but intrigued and said he had never smelled one. He then asked if I wanted to try to catch one with him the next day. I did, but inquired, 鈥淗ow would we do that?鈥 His response was one only a naturalist would give: 鈥淚 know where one lives.鈥 Unfortunately, the next day 鈥 our last day in Maine 鈥 brought a severe winter storm, meaning no Blarina hunting for the two of us. 

While Bernd may not have been familiar with the pungent scent of Blarina brevicauda, it is notorious among mammalogists. Their odor is often compared to maple syrup. That does a disservice to maple syrup: the scent is sweet, but sickeningly so, and musky. It sounds like it could almost be pleasant. It鈥檚 not. It鈥檚 what you might smell if you left a maple-syrup-soaked rag to get moldy in a damp cellar. The wonderful irony of this is that they鈥檒l never get a whiff of themselves because, like their eyesight, their sense of smell is terrible. 

As a fauna field technician, I despised that scent. A wave of annoyance would wash over me as I approached a trap emitting it. Shrews were not a target capture species. I couldn鈥檛 hold it, interact with it, or collect any meaningful data about it other than its existence. All I could do was put the shrew into a plastic bread bag, look at it, then color its back with an extra-fat sharpie, hoping the color would stain the fur long enough to know if it was recaptured later. Then I would let the critter go and watch its newly blue butt scurry away, ducking into the closest ground hole it could find. I鈥檇 begrudgingly put its dirty trap in my bag, knowing I鈥檇 endure the smell again when scrubbing it out with bleach later.  

My early disdain for shrews came from a fundamental misunderstanding of their nature. Their scent isn鈥檛 for marking territory or attracting a mate. It鈥檚 a defense mechanism. Their putrid odor makes them a far less appetizing meal. Under normal conditions short-tailed shrews aren鈥檛 particularly fragrant, but that changes when they鈥檙e under stress 鈥 stress in the form of being hunted, or captured in a metal tube with no way out. The scent is fear.  

 

In Transit by Veronica Magner
Body
Image of red desert rocks in slanting formation

Published September, 2024

Standing with a backpack on each arm, I am dwarfed on a roadside in East Denver. It鈥檚 2019. The world is loud and an impulse has taken me out west 鈥 by plane, by train, and now by foot. I wait to cross an enormous four-lane boulevard as vehicles blur past, blocking the view of the Rockies. An empty tractor trailer hits a pothole, producing a thunderous boom that suggests it鈥檇 be best to take on a vehicular shell of my own and move at pace with the rest. 

A football field away, the walk symbol blinks on. Ten minutes to make it to the Hertz office, rent a car, and deliver myself swiftly up from this midwestern grid and over the rocky passes to Utah. I鈥檝e been called out of the cramped, metropolitan forests of the east, where time moves erratically, where I dreamed of an open, unmuddied place.   

For weeks, the blue light of the Wikipedia screen had been glowing long into the night as I learned the names of desert places: San Rafael Swell, Zion Canyon, Basin and Range Province. The small frames afforded to images of these places still manage to convey the immense scale of multicolored canyons and valleys. I read that the San Rafael Swell in Utah is a giant dome-shaped anticline of sandstone, shale, and limestone, pushed up during the Laramide Orogeny 60-40 million years ago. The terms orogeny and shale glance off, but 60-40 million years sends a beam into the depths. Not one of us can claim to comprehend such a number, but it still staggers. Out of these numbers and images on a Wikipedia page came an urge to enter a landscape written in the language of that vast stretch of time. It鈥檚 led me to Utah, and to the strange comfort of imagining the geologic timescale 鈥 a way out of the pinhole of the present. 

I-70 winds through the Rockies as a narrow ribbon of asphalt. The sun dips low as I cross the state line, blurring the distinction between reddening land and reddening light. By the time I pull off the highway in Green River and find a place to camp, it鈥檚 nearly dark. I step out of the car into such total stillness that for a moment I hardly move. A band of light lingers, high up on a nearby mesa, a vibrance so intense as to nearly break the silence. There is no one around for miles, yet as I scramble up a slope to get a better view, I try to remain quiet. The dust and rock beneath my hand is drier than any soil I鈥檝e known. Held by no roots, it gives way easily, sliding downhill. I think of the Wikipedia article:  

鈥淪ince that time, infrequent but powerful flash floods have eroded the sedimentary rocks into numerous valleys, canyons, gorges, mesas, buttes, and badlands.鈥   

Since that time. That time the Pacific oceanic plate slid like a spatula beneath the western half of the continent, raising the land I鈥檇 spent an entire day crossing by car like the fold of a cookie that wouldn鈥檛 budge from the pan. As that uplifting pressure finally abated, the days passed just the same as they do now. The force of water arrives every so often to whisk some weathered grains of silica a few yards down a rivulet. I realize why reading the article wasn鈥檛 enough to comprehend this process 鈥 I had to arrive physically in this place and throw the numbers up against the landscape鈥檚 apparent permanence, for half a shot at understanding. 

Black and white graph of slanted rock

The sun dips behind the high edge of the mesa, and quickly the air begins to grow cold. I sit out in the air, in the absence of rock, and imagine filling a cup with the dust at my feet and taking a long walk to the Gulf of California. Pour it out, walk back, repeat. The watery work of millennia. There is near-total assurance that this work will go on pushing rock into the troposphere and carving it down again, grain by grain. A time scale at which the crust of the earth is entirely mobile 鈥 colliding, expanding, splitting at the seams. Nothing is flat, no iteration final. To think of solid earth that way brings a sublime fear mingled with a sort of relief, an assurance I can bring back to the metropolis with me, that there is something leagues more powerful than humankind. That the thundering semis too are dwarfed.   

Perhaps what these landscapes have provoked in some is not relief but an urge to rail against this reminder of impermanence and relative frailty. The deserts of the west have been subject to the full extent of physical might we can muster. We鈥檝e detonated 928 nuclear bombs in the Basin and Range Province of Nevada. Over a million miles of barbed wire have been strung across the open range, metropolises wrenched into existence through the damming of broad canyons. All in the name of putting a halt to something or other. And still the rains arrive.   

Morning breaks, silent as ever, and I remember how near I am to the San Rafael Swell. I grab coffee and rejoin the highway, heading west across the high plains. As the horizon slowly presents a shape like a rippling wave, I think of something Rachel Carson once wrote about the ocean, another realm here on earth that is physical, present, yet unmatched to our perception of time and scale, and so remains beyond comprehension. "The ocean has nothing to do with humanity,鈥 she says. 鈥淚t is supremely unaware of man, and when we carry too many of the trappings of human existence with us to the threshold of the sea world our ears are dulled and we do not hear.鈥   

The rippling wave of rock grows larger, and I pull off to a parking area to shed the car. This wave is the jagged edge of the San Rafael Swell, all that remains after 60 million years of whittling. It stands now in clear view, stretching out like a fortress in both directions. The enormity of it doesn鈥檛 quite land until a truck emerges from a gap in the rock; then the size of each in contrast sends a thud, a delight. The domed anticline that once was rises outward in imagination from the jagged edge, tracing the arc of the vast subtraction we have been graced, in a moment, to see.